This beautifully written study focuses on the life and public sculpture of Meta Warrick Fuller (1877 1968), one of the early twentieth century s few African American women artists. To understand Fuller s strategy for negotiating race, history, and visual representation, Ren e Ater examines the artist s contributions to three early twentieth-century expositions: the Warwick Tableaux, a set of dioramas for the Jamestown Tercentennial Exposition (1907); Emancipation, a freestanding group for the National Emancipation.
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